Intoxicate me

I’ve written this several times before, one way or other: I’m easily affected by smells and fragrances.

When I was walking home tonight, in the middle of the night after a very warm day, I was overcome by smells. They surrounded me, filled me, took charge of me… I laughed out loud, so strongly did it affect me.

It smelled of flowers and receding heat, of warm grass soon to be touched by the mild dew. Lund is a flowering city, there’s flowers everywhere. I love living here.

As always, when I’ve been walking through the fragrant night, I’m affected. It’s like… Well. I don’t see all my senses as rating equally. I enjoy my hearing. I like music. But I can live without my hearing. Really. Toucch is a lovely, fantastic hting, that I'd hate to lose, but it's not how I primarily percieve the world. Eyesight on the other hand… Much more important. How else to judge text and art? Sooo important to me in the way I perceive the world. Smell though (and taste is basically the same thing) works like a memory trigger, a Madeleine cake.

My memory this time wasn’t terribly specific. It was more a feeling. A feeling that I’ve walked in that kind of smell, in a similar kind of temperature, next to someone I like, someone who I didn’t have the license to touch just yet. Imagine that it’s about half an hour before the first touch. You want to touch the other person, but it’s totally out of the question. For now. You can walk down the street together though. Walk down the street, next to each other. Close. So close that you can feel the naturally generated electricity in the other persons body. You’re the anode, the other person’s the cathode. You’re being drawn, pulled, towards each other. The electricity dancing between you is very nearly tangible. When – by chance – the hairs on your arm brush against the other, you could swear there was a spark… You walk closely together to feel the heat emanating from the other, to try to smell the other person’s body without being too obvious about it…

I’ve been there.

As I was walking down the street, I wished I were there again, slowly being intoxicated by your pheromones.

Ms. H

Anders Ekesiöö and Anna Nygren recently defended their master's thesis at Stockholm University School of Business. They discuss consumer profiles, specifically what they call Mr. H, a person with "high demand on unique consumer products". A Mr. H buys things that he feels are unique and will make him stand out from the main stream. Preferably he should be the only one in the city or the country to possess the item he purchases.

I have a confession. I am Ms. H.

When I read an article about this in today's paper, I could hear echoes of myself saying things like "one of the reasons I'm so happy about this skirt, is that I know that when I bought it, there were maybe five of it, altogether, in Australia, which means, I'm probably the only one in Sweden who has one". I've stopped shopping at places like Designtorget, because the stuff isn't quite unique enough. I've become much more picky with what I choose to stand out. But I make sure I do. It needn't be expensive, but it needs to be one-of-a-kind.

Peter just remarked on some of the men that hit on me online that they seem to have found their lines in some kind of pick-up manual. Not terribly interresting, they don't stand out from the crowd. At all. That's not a good trick. At all. Not if you're hitting on a Ms. H. Inventiveness is an essential part of the attraction.

At least I'm consistent. I want uniqueness all over.

Who, me, picky...?

You see... I get bored. When I shop at H&M or such, I rarely use the stuff very much. Or if I buy items that are very much the current fashion. It doesn't really interest me. But if I find something that is brave or clever enough to stand on it's own, and that specifically suits me, then I'm happy to use the item year after year. I don't grow tired of it. It keeps me curious, interrested, happy.

I haven't read the thesis in question, so I don't know exactly how they define Mr. H, but reading the article today, I have a feeling that there's a little more to it than just standing out and having the stuff that no one else has. That is alittle bit too close to the game of "the one with the most stuff at the end wins" for comfort. No, I believe that the true Mr H can be extremely down played, neutral even. Minimalist. But the stuff that is there, is carefully chosen. Very. Carefully. Others of the same kind will know it and appreciate it, which is the whole point of showing off. Women don't dress up for men, they dress up for other women, to display their place within the ranks. And I guess it is also a form of neo-tribalism, as explained by the very unique Cory Doctorow. I doubt that Mr. Doctorow would agree completely, but I still believe it's in the vicinity.

Anyways.

My name is H. Ms. H.

Chic music and lit

Last night, my friend Sofia, her husband and I ended up at Pusterviksteatern, a small and very intimate venue, where the cool and lovely Veronica Maggio was playing. Maggios music is a rather bouncy, poppish kinda style, with emphasis on lyrics, I'd say. It's quite nice, but her style is so specific, so set apart, that there's a risk for the one-hit-wonder-syndrome. She sounds so different that she probably won't be able to simply sound different in the same way for her next album, because then she'll just be doing the same thing all over again. The audience was mainly made up of skinny young men in their early twenties and their equally skinny girlfriends. All looking intimidatingly stylish. We looked like three architects let out from the bureau; all dressed in black, with funky glasses and the occasional non-traditional piece of jewellery. We felt old.

Veronica Maggio's songs seem to be mostly about broken hearts, failed relationships and breakups, so when she played a cover of Offspring's mid-90's hit Self esteem, it fitted perfectly. Actually, it was a very clever cover, she really made it her song. Not quite as thoroughly as for example the Cardigans did with Iron man, but that was what it made me think of. I loved it. One of her songs, Nöjd?, "Satisfied", is about a woman who has dated a thousand and one man, and just finds flaws with them - she simply isn't satisfied with any of them. One's too short, one's too tall, one has too big a moustasche... Well, you get the picture. I always feel a little sting of guilt when I hear it, as I'm perfectly aware that my own dating pattern can be considered a result of the same pickyness. I don't think I'm quite as picky as Maggio though...

My dear friend Johanna suggested the other day that I'd write a book about all the men I've dated. She suggested the title Susanna's little black book. Ah... I'm not so sure.. Firstly, I don't think anyone but my closest friends would find it interesting at all. And they already know all the details. Secondly, it's already been done: Travel journalist Jennifer Cox takes it upon herself to go around the world in 80 dates and to write a book about it. I don't think I could match that. Maybe I could use a different title: Working the Universities of the World: A guide to dating in Academia. A colleague once suggested that I was a parallel to the olden days sailors with a girl in every port; she thought I had a man on every Campus... Slight exaggeration, of course, but a rather fun one nonetheless. Ah well. I wouldn't expose my dates like that though (Cox had gotten consent from her dates of course, but I'm reluctant to call my old dates to see if they'd let me write about them...). I haven't actually read Cox's book, but I've read an interview with her when it was first published, and it seems that as far as chic lit goes, this is right up there! But yeah, she's done it already. Then, on the other side of the spectrum, there's Belle de Jour. And in between there's every girl on the Net and her aunt, telling the world intimate details of their dates. Nah. Unless I can think of an extremely clever way of doing this (like Cox! Only not already done...) I'll probably ditch the idea, sorry Johanna!

I enjoyed Maggio's concert, altough I thought there were some weak moments: 1) She only has this one album out, so she has a limited range of songs to choose from. That's all very fine, but why talk about it? I'd say that's a typically female way of talking oneself down. Look, every song on the record is good. There are no real lows. So don't talk it down by saying that that's all you've got! 2) The institutionalized encores. This isn't Maggio's fault of course, this is what it is like. I still think that those planned-for encores are rather silly. Just play the songs as planned. If there's reason for en encore, do a real encore. Please. 3) The audience sucked. Booooooring. Right, I wasn't any better, but hey, I'm old. Probably ten years older than the average. Some enthusiasm, please!

I'll probably go out and by the album though.